Bonjour City Garagistes,
We are excited to share with you the next episode in our new talk show, “Anima Farm: Conversations About Theatre and Politics with Steven Leigh Morris and Guests.” This week even talks with Doctor Susana Smith Bautista and Chandra Indigo Jackson about “Teen Tix LA”: a program to help create new young audiences for theatre. If you missed the first two shows they’re available here on our website. New episodes every Wednesday at 6:00pm.
If you have questions you’d like Steven to explore or suggest a topic or guest, please let us know.
And, if you have a short video of your favorite animal friend, send it to us here. Each week we feature a new one.
And of course our City Garage Classics program is still going strong. This week we have a production from 2003 “Katzelmacher” by Rainer Werner Fassbinder. Here is what the LA Weekly had to say:
LA WEEKLY — PICK OF THE WEEK
KATZELMACHER is the German slang for “cat screwer,” which actually refers to somebody with an unbridled sex drive. In the case of Jorgos (Steve Najarro, bearing an expression of sweet bewilderment), in Rainer Werner Fassbinder’s very first (1968) play, the label is a misnomer, an ethnic slur applied to this Greek (“foreign”) laborer in a provincial German town. Katzelmacher is something of an etude in which Fassbinder shows the stock jealousy and xenophobia that ensues after the migrant worker, who barely speaks the language, beds his employer (Maureen Byrnes) and draws the romantic attentions of the local women (Kathryn Sheer, Katharina Lejona and Szilvi Naray-Davey). Mean while, the guys (Mathew Gifford, Bo Roberts, Laurence Coven and David E. Frank) are barely employed yet too proud to work for the low wages that Jorgos plans on sending home to his wife and kids. Fassbinder is really looking at the psychological effects of money, at how the town’s orgasmic violence stems from its economic malaise — which, though a truthful idea, does little to explain the sadism of the rich. Frederique Michel smartly evokes the play’s 1966 setting (with Brigitte Bardot flip ‘dos and costume designer Erin Vincent’s one-piece leather minis) with an ensemble bereft of Hollywood lip enhancements and repaired teeth. Rather, they look plucked from the regions — perfect for this play’s ambiance. Michel stages the episodic scenes in the style of a cabaret, propelled by sound designer Jason Piazza’s percussion….The production is a mostly disciplined and cogent examination of “otherness” that’s, distressingly, more apt than ever.”
It will be showing on our City Garage YouTube channel from 3:00pm this Friday, November 6, through noon on Friday, November 13th.
It’s free to view but we ask people to make a donation if they can through our Chuffed page:
Merci to to our wonder flu donors this last week:
Ricky Lee Grove
Marlene & Bruce Larson
Merci, Stay safe and wear a mask!