City Garage Theatre

Bonjour,

Because of so many of you, we’re happy to tell you that we’ve now raised $17,050 toward matching our new grants! But we need more help to get the rest of the way to $25,900. Your donation large or small makes all the difference! Please join those below in supporting the work at City Garage:

Our thanks to:

Michele & Curt Wittig
William R. Gray Jr
Andrea Baker
Jennifer Ferro
Jay Bevan
Michael Intriere
Alexandria Gray
Shelly Martinez
Lisa & Bill Gray
Anonymous
Holly Dunnigan
Martha Duncan
Lindsie Carlsen
Tom Laskey
Justin Davanzo
The Sheila and Milton Hyman Foundation
Alexandra Seros
Lindsie Carlsen
Joanne Leslie
Rex Moser
Sarah Spitz
Paul Michels
Myron Meisel
David Burton
Erin Vincent
David Tillman
Emyr Gravell
Lisa Robinson
Carol Wise
Anonymous
Geraldine Fuentes
Steve Diskin
Ricky Lee Grove
Gustav Vintas
Marlene Larson

We have an exciting year for you coming up with entertaining and challenging new plays from City Garage. Follow this link and donate today!

https://citygarage.org/support-us/

Merci, and see you at City Garage!

Frederique

“WOW!”

“...an uncanniness that feels friendly and welcoming, suggesting a place where we can all be mad together...”

“... sometimes scorching, sometimes hilarious, always intriguing exploration of human relations…what really grabs our attention and hearts are the performances.”

“Contemporary theater at its most informative and impactful … stunning, gut-punching”

“it hits like thunderclap…”

“Stellar performances from the cast under Frédérique Michel’s direction”

“Approaches the “hallelujah” level!”

“...startlingly compelling as well as rather surprisingly funny...”

“eerie, atmospheric ... well suited to the stylish City Garage aesthetic”

“... a Greek myth scaled down to human proportions ... It’s simple, it’s quiet, it’s deeply personal”

“THE BOURGEOIS GENTLEMAN had the audience laughing from start to finish.”

“Superb acting….Frederique Michel’s clockwork-like direction of Schimmelpfennig’s tricky, provocative play and Charles Duncombe’s atmospheric stage design also deserve the highest praise possible.”

“City Garage, known for daring, highly stylized sociopolitical theater, is the ideal local company to revive this infrequently done, disturbingly timely play.”

“Crowd-pleasing and consistently funny!”

“The piece is fascinating to watch... handsome and visually stunning production, stylized and ritualized.”

“The writing and the performances crackle...”

“A marvelous evening of theater... a distinctive, individual form of dance-theater, using a movement vocabulary that... communicates immediately with gestures sometimes like seductive cabaret performance... ”