Bonjour Bergaragistes,

It’s the last weekend for #Measure4Measure. If you haven’t seen it, this is you last chance! Make your reservations today for what one reviewer called “The best production of this ‘problem play’ I’ve ever seen.” It’s both funny and dark, a truly fascinating play. Don’t miss it. We will wrap up the run with a Q&A with the cast after the final performance, this Sunday, July 9th. Join us!

“Author/adaptor Charles A. Duncombe’s version of William Shakespeare’s Measure for Measure offers a timely skewering of sexual harassment, religious hypocrisy, and state repression….Stellar performances from the cast under Frédérique Michel’s direction…. Courtney Brechemin, Kat Johnston, and Beyer skillfully juggle multiple roles, while director Michel manipulates that dynamic with some clever clowning in staging and costume changes…. The futility of trusting in the Church or the State to protect women from sexual predators is driven home in the words of both Shakespeare and Duncombe. Sadly, not much has changed since then.”
“Top Ten!” Recommended, Stage Raw
(To read the entire review, go to: https://stageraw.com/2023/06/07/measure4measure/)

“The best production of this “problem play” I have ever seen….[Courtney Brechemin] nearly steals the show…. At the very end–and here I cannot praise Charles A. Duncombe’s editing nor Frederique Michel’s direction enough–what seems like the perfect ending in terms of theatrical formula lies naked in its exploitation and deceit and casual sadism. So…wow!”
The World Through Night Tinted Glasses
(To read the entire review, go to: https://zahirblue.blogspot.com/2023/06/measure4measure-review.html)

If you haven’t yet made you reservations, now is the time. Join us!


A new version of Shakespeare’s Measure for Measure
for City Garage by Charles A. Duncombe

June 2 – July 9, 2023

Vienna is corrupt, brimming with sex and vice. The Duke, lax in enforcing the strict laws, leaves the city in the hands of a puritanical reformer eager to impose moral order. This substitute begins ordering executions but when a beautiful young novice, pleading for the life of her brother, provokes his own lust, he resorts to sexual blackmail. When she threatens to expose him, he mocks her. Who would believe her rather than him? In this version of Shakespeare’s play for City Garage, gender politics, power, and sexuality are examined through a contemporary lens. A cast of seven, playing multiple characters, takes a text from 1604 and creates an intense, darkly comic, biting commentary on our own times. Then, as now, power and sex are inextricably entwined and the question of how to obtain justice remains just as difficult to answer.

Merci, and see you at the theatre!