Border Crisis

Bonjour,

We’re excited to tell you about our next show, Border Crisis—a very funny black comedy by Charles Duncombe, based on a Polish absurdist play by Sławomir Mrożek. We hope you’ll join us for opening weekend for this looney play about a very serious subject. There will be a preview on Friday, November 7th at 8:00pm with complimentary Champagne, and an informal buffet on opening night, Saturday, November 8th. Tickets are on sale now. Please make your plans now to be with us!

You can buy tickets now!

Border Crisis
An absurdist comedy by Charles A. Duncombe
Based on The House on the Border by Sławomir Mrożek
As translated bt Pavel Rybak-Rudzki

An average American family suddenly finds themselves at the center of an international border dispute. As the crisis unfolds, their home is invaded by a succession of government agents, diplomats, and border guards who quickly turn everything upside down. The family–good, loyal citizens who just want to get along and be left alone—try their best to comply. But with the ever-more complicated rules, regulations, and the demands of a new authoritarian order, they find it harder and harder to do the right thing. Based on Sławomir Mrożek’s absurdist classic The House on the Border, this zany black comedy takes a biting, satirical look at contemporary national politics and the questions we face from both right and left in a turbulent, uncertain time.

Fall Fundraising Off to a Great Start!

We’re excited to tell you that we’ve just received three new grants: two from the City of Santa Monica, and one from the County of Los Angeles for a total of $23,350. This is wonderful news indeed. In a time when funding for the arts is reduced or eliminated, we feel very grateful for this support. But they are matching grants, which means that to receive the full value of these awards, we need to match them from our own contributors.

Can you please help us match these grants with your contribution, large or small?

In a world where censorship and control can feel pervasive, supporting the arts is an act of resistance. Please help us continue our good work at a time when alternative voices are more important than ever. You can make a gift online. If you prefer, you can also send a check to:

City Garage
Bergamot Station Arts Center
2525 Michigan Ave. T1
Santa Monica, CA 90404

Merci to these kind patrons who have already contributed. Thanks to them, we’ve raised our first $1270 toward our goal!
Emyr Gravell
William Gray Jr.
Jay Bevin
Barbara Beyer
Lindsey Carlsen
Ralph Radebaugh

CyberViewX v5.18.08
Model Code=58
F/W Version=1.21

Frederique, Charles, Archie, and everyone at City Garage

Antigone

Bonjour,

FINAL WEEK! Antigone, adapted by Neil LaBute

It’s your last chance to see our hit production of Neil LaBute’s version of “Antigone.” The last three shows happen this weekend. Critics and audiences agree, it’s a must-see. Make your reservations now while seats are still available.

Buy Tickets Online

“WOW!”

“The compelling, thought-provoking latest from City Garage….as timely and as it is relevant. Director Frédérique Michel once again displays her distinctive visual flair in staging LaBute’s adaptation’s U.S. Premiere….Michel signals from the get-go that this will definitely not be your ancestors’ Greek tragedy….City Garage scored a major coup last year with the World Premiere of Neil LaBute’s If I Needed Someone, and they’ve done it again with LaBute’s contemporary take on Antigone.” — Steven Stanley Stage Scene LA

TOP TEN! RECOMMENDED!

“Even after 80-plus years, it speaks clearly to the present political environment…The confrontation between Antigone and Creon reveals the complex heart of the play, where the rule of law — the authority of the state — collides with individual conscience and morality….The “why” compelling each character’s motivation and principles is brought into sharp relief for the audience to weigh on the scales of right and wrong. Director Frederique Michel shows her proficiency for flashy staging, skillfully blending music, movement and dialogue.” — Lovell Estell III, Stage Raw

“The show loses not one drop of its raw power, which is a considerable…..In a very real way one feels this fictional version of Thebes as real as Los Angeles in this, our year of the Lord 2025….The stakes feel real, the consequences vivid, powerful, and horrific. Familiar, too. Which is of course the point.” — David MacDowell Blue

“With Antigone, City Garage furthers the conversation about ethics and the role everyone plays in deciding when to obey and when to resist.” — Bridgette Redman, The Argonaut

“Directed by Frederique Michel, this Antigone brings a very old classic into the period of the moment….[a] marvel.” — Rich Borowy, AccessiblyLive

Antigone
By Jean Anouilh, Adapted by Neil LaBute
August 15 – September 21, 2025

Acclaimed playwright Neil LaBute brings a fresh edge to the classic tale of a fierce young woman determined to stand up to authority—even at the price of her own life. Working from the 1944 text by French playwright Jean Anouilh—written during the occupation—LaBute asks the same question here as Anouilh did under the Nazis: what price must an individual be willing to pay to defend their beliefs? Antigone faces down her uncle, the dictator Creon, insisting on proper funeral rites and burial for her slain brother, something Creon has forbidden on pain of death. In this deadly battle of wills, Antigone, one of the great classical heroes of Greek tragedy, refuses to compromise, even to the point of self-destruction. In a troubled time, where autocracy is on the rise and the free expression of ideas are under assault, Antigone speaks for all those unwilling to give in and go along.

Merci,
Frederique, Charles, & everyone at City Garage


Pinter: The Homecoming

Bonjour,

It’s your last chance to see “The Homecoming!” The audience and critics are raving about it. It must close this weekend so if you haven’t yet made you reservations, do it today! Don’t miss it!

Buy Tickets Online

TOP TEN! RECOMMENDED!

“It’s been six decades since Harold Pinter’s enigmatic, controversial two-act drama about family conflict and dysfunction had its debut in London, yet it continues to lend itself to interpretative wrangling and ambiguous coloration. Still, the misogyny and male angst that are chiseled into it are oddly apropos to the times we now live in where critical attention has recently been focused on the subject of “toxic masculinity” and its destructive effects…. Director Frederique Michel has done an excellent job of regulating the aggressive tensions that continually arise in this play, as well as skillfully accentuating its sexual elements without overdoing them. The performances are excellent, especially Beyer whose turn as Ruth is flawless.” — Lovell Estes III

“WOW!”

“Directed to laceratingly sharp effect by Frédérique Michel and performed by a cast of seasoned City Garage vets and a couple of talented newbies, The Homecoming adds up to a whole lot of fun-and-games of the vicious, venomous sort. Rarely has there been a nastier family patriarch than Dunn’s Max, and it’s great fun to see how he keeps the always dependable Frank’s Sam under his thumb. Equally terrific are Marr’s cowed and cuckolded Teddy, Langsam’s brutal, conniving Lenny, and Cannata’s coarse, not terribly clever Joey. Still, this is City Garage stealth weapon Beyer’s show all the way, whether tantalizing the boys with tales of her adventures as a “model for bodies,” or tempting them with crossed and uncrossed legs that could give Basic Instinct’s Catherine Tramell lessons in seduction, or breaking her marriage vows in full view of them all….A blast!”
— Steven Stanley, Stage SceneLA

“This cast, under the direction of Frederique Michel, makes every glance or smile or silence work….The experience proves eerie, fascinating, a little bit disgusting, often quite funny, and it crawls under one’s skin. Bravo!
The World Through Night Colored Glasses

“Directed by Frederique Michel, The Homecoming is a play that only gets better over time….[It] still packs a punch.”
Accessibly Live Off-line

Buy Tickets Online

The Homecoming by Harold Pinter
May 9 – June 15, 2025
Fridays, Saturdays 8:00pm; Sundays 4:00pm

One of Nobel-prize winning playwright Harold Pinter’s greatest plays, this darkly comic, hauntingly ambiguous, play follows a family of men in a seedy house in North London: Max, the aging, crude patriarch, his ineffectual brother Sam, and two of Max’s three sons, both unmarried, Lenny, a small-time pimp and Joey, who dreams of success as a boxer. Returning to this oppressive household, one simmering with bottled-up anger and barely concealed hatreds, is the oldest son Teddy, now a successful professor of philosophy in America. After six years abroad, he brings his wife Ruth, to meet the family for the first time but the visit quickly turns into an ominous game of cat and mouse. In this unsettling drama of insidious manipulation, subtle power struggles, and sexual game-playing, nothing is quite what it seems.

A New Pledge of $20,000!

As we told you last week, a very special patron (who wishes to remain anonymous) has made an incredibly generous pledge of $20,000 to support the work at City Garage! Can you help us match this amount by the end of the summer so that we can fully benefit from our angel’s wonderful pledge? Thanks to these kind people below, we’ve already raised $11,214. More than halfway there!

Roger Director
Joanne Leslie
Ricky Lee Grove and Lisa Morton
Ann Bronston
Tom Laskey
Anonymous
Steve Diskin
Martha Duncan
Bo Roberts
Anonymous
Lindsey Carlsen
Holly Dunnigan
Mr. & Mrs. Jerome Greenberg
Michele and Curt Wittig
Tom Patchett
Michael Intriere
Roger Marheine and Carol Wise

Please join them and help us get the rest of the way. Any amount, small or large is welcome!

Donate Now

Merci, and see you soon at City Garage!

Archie, Frederique & Charles

Bounds / I Want a Country

Bonjour,

FINAL WEEKEND!

It’s your last chance to see “Bounds” and “I Want a Country!” Both shows are in their final weekend, with “Bounds” on Thursday and Friday at 8:00pm, and “I Want a Country” on Saturday at 8:00pm and Sunday at 4:00pm. Don’t miss these critically acclaimed productions!

Special Performance of both plays on Sunday, March 9th! – Followed by Q&A
Join us on Sunday, March 9th to see both plays on the same evening! “Bounds” will be at 4:00pm, followed by “I Want a Country” at 6:00pm. Afterward, we’ll have a Q&A with the cast and the creative team. Buy a ticket in advance for either show on that date and you can see both—or pay-what-you can at the door.

“Bounds” by Tino Caspanello
Buy tickets for “Bounds”

“I Want a Country” by Andreas Flourakis
Buy tickets for “I Want a Country”

See both plays, and save $10!
Buy tickets for Both Plays

What the Critics are saying:

TOP TEN! RECOMMENDED!

“A surreal journey that serves as a lament for unexpected loss, a skewering of global capitalism, and – perhaps – a metaphor for what awaits the U.S. as it embarks on its potential imperial collapse….Director Frédérique Michel has crafted an absurdist setting and cryptic characters into a sometimes confusing yet compelling narrative that depicts reluctant migrants in a quest for a new home….Michel’s crafty, artful staging befits the nature of this lost tribe…. One telling line would be appropriate for any of the characters to utter: “We’re a group of indignant, frustrated people. We’re not a county.” If that is not a suitable definition of a country, I do not know what is.”
— Martín Hernández, Stage Raw

WOW! As strikingly stylized as it is unapologetically political….Like Andrei Kureichik’s Insulted. Belarus, Andreas Flourakis’s I Want A Country spotlights City Garage’s knack for bringing innovative European theater to American audiences….Dynamically staged…thought-provoking and topical, I Want A Country is well worth an hour of your time.”
— Steven Stanley, Stage Scene LA

“A startling, even haunting piece of theatre….Director Frederique Michel along with her cast brought what doesn’t seem like it should be very dramatic to a fiercely vivid life….A simple but profound dance amid hopes, fears, rages, and attempts to make sense of it all–a collection of human beings living through disaster with no end nor rescue in sight. What else is there to do but wait, endure, and try to understand?“ — David MacDowell Blue

“Both of these plays are timely, especially amidst the rising threats of mass deportations of immigrants, unreasonable searches and incarcerations, and increasingly militarized borders. Once again, and per their thirty-five year record, City Garage Theatre has produced plays that speak to the times and encourage people to have empathy and compassion for what it means to arrive in a country that may pummel you into the ground.”
— Allie Rigby, SeeFilm LA

“Bounds” by Tino Caspanello

Translated by Haun Saussy

February 6 – March 14, 2025; Thursdays, Fridays 8:00pm

Five women are stranded on a beach in an unknown country. They might be displaced persons, refugees, unhoused, undocumented immigrants. What we do know is that they are unwanted. They pass the time by playing games and singing songs, they fantasize about belonging, and they compete. One of them, they know, will be selected. But who will that be? While they wait, bonds are created, ties of affection. “Bounds” is a story about us, about the truths we take for granted, and about a society unable to exist without bonds. It is also about “the others,” about those to whom we open our doors—or refuse. It is a story about cages, violence, dreams, a story that reflects our time, a time when we struggle with the rules, obligations, and prejudices that keep us from looking in the eyes of our neighbors.

“I Want a Country” by Andreas Flourakis

Translated by Eleni Drivas

February 8 – March 16, 2925; Saturdays 8:00pm, Sundays 4:00pm

A group of people huddle in the darkness, clutching suitcases and umbrellas. They have lost their country. Where did it go? They wander in search of a new one. They complain, argue, debate, talk about what makes a place feel like home. Together, they imagine what the country of their dreams would be like: a place where they could find peace, justice, and kindness at last. Though written by Flourakis about the Greek financial crisis of the early 2010s, this haunting and poetic text speaks just as powerfully to our own political moment here in the United States where so many long to replace division and enmity with connection and understanding.

Links for Tickets:
Buy tickets for “Bounds”
Buy tickets for “I Want a Country”


Community

Bonjour,

Last week was a terrible one for so many in Los Angeles. Our hearts go out to everyone affected and to all those who are still at great risk. We fear that many of our audience members who come from Pacific Palisades or other areas that have been devastated are now struggling with catastrophic losses. We hope everyone can stay safe and that this nightmare will soon come to an end, though, for so many, the hardships will continue for a long time to come. Our immense gratitude and appreciation to all the first responders who continue to work so hard to save lives and protect us all.

Theatre is about community. Sharing stories that move us, inform us, unite us, and sometimes, in times of grief or loss, can comfort. We hope that when times are better, we willl see you all again at City Garage.

Thinking of you an sending our love,

Frederique, Charles and everyone at City Garage

Hughie

Bonjour,

Eugene O’Neill’s “Hughie” is now Playing!

“Hughie,” Eugene O’Neill’s small masterpiece, continues its successful run. If you haven’t yet seen it, don’t miss this haunting, late masterpiece by one of America’s greatest playwrights. Watch the trailer!

“A welcoming simplicity….[Troy Dunn] is a walking parcel of unrealized dreams and bluster….What emerges is a stark, sad picture of Erie’s shallow, desperate existence. Director Frederique Michel has added a layer to the narrative with the inclusion of the voice of a narrator (Nathan Dana Aldrich), who provides occasional insight, commentary and humor….solidly convincing.”
Stage Raw

“[An] inspiring production with excellent actors. [A] short play, with a big story to tell.”
— Edward Goldman, Art Matters

“Erie Smith is a liar and a con man, a boaster who dances between truth and delusion. The direction of Frédérique Michel of these fine actors brings all that to the surface, bubbling out like the stuff of an existential cauldron. It feels tragic to watch, and hopeful, disorienting as well as sad. In the end Dunn’s Erie comes across as in some fundamental way…us. You. Them. Me. All of us.”
— David MacDowell Blue, The World Through Night Tinted Glasses

Get your tickets now!

About the Play

Hughie, one of Eugene O’Neill’s last works, takes place in a seedy New York hotel lobby at 3:00am on a hot night in the summer of 1928. Erie Smith, a small-time gambler, down on his luck and at the end of his rope, shows up after a three-day bender, brought on by the death of “Hughie,” a night clerk at the hotel and always a willing listener to Erie’s yarns of his life’s imaginary successes. But Hughie is gone now, and Erie has only his dull, disinterested replacement to listen to him as he tries to boast and lie his way through his grief, loneliness, and despair. Only now, with Hughie dead, a guy he always considered a dope and a sucker, does he realize the desolate emptiness of his life. in this powerful, haunting piece, as in The Iceman Cometh, O’Neill draws a heartbreaking portrait of longing and loss, of the loneliness of the human condition, and the desperate hunger to overcome it.

New Grants for City Garage!

Great news! We’ve just received notice of new government grants for City Garage—for a total of $25,900! But they are also matching grants. That’s where we look to you, our kind and loyal audience. Like all non-profit theaters, large and small, we could never meet our expenses through box office alone. We depend on grants like these and on generous contributions from patrons like you to match them. Help us raise this $25,900 by your donation. And thanks to the generous patrons below, we’ve already raised $8,138!

Michelle & Curt Wittig
William R. Gray Jr
Andrea Baker
Jennifer Ferro
Jay Bevan
Michael Intriere
Alexandria Gray
Shelly Martinez
Lisa & Bill Gray
Roger Marheine
Holly Dunnigan
Martha Duncan
Lindsie Carlsen
Tom Laskey
Alexandra Seros

Please join them in supporting the work at City Garage. Any amount helps, large or small. Follow this link and donate today!

Merci, and see you at City Garage!

Frederique & Archie

If I Needed Someone

Bonjour,

LAST CHANCE – FINAL 3 PERFORMANCES! DON’T MISS OUR HIT SHOW “IF I NEEDED SOMEONE”

Our critically acclaimed production of Nell LaBute’s “If I Needed Someone” is now in the final weekend of its run. Only six performances left! Make your reservations now for the last remaining seats!

Tickets/

TOP TEN! Recommended!

“Frédérique Michel directs the two-hander smoothly, moving the characters organically in time with the action. And it’s clear Michel and the very skilled actors have delved deeply into the characters and the complexities of the drama. LaBute has a gift for being provocative, which makes for a rewarding theatrical experience. And in that context, a piece of advice: see the play with a member of the opposite sex. It will almost certainly guarantee a lively discussion over post-performance drinks or on the ride home.” — Stage Raw

“WOW!”

“Drunken hookups aren’t what they used to be, at least according to Neil LaBute in his undeniably provocative, bitingly funny, and potentially button-pushing World Premiere two-hander If I Needed Someone at Santa Monica’s City Garage Theatre….The more we get to know Jim and Jules, the more complex each of them becomes, and the same can be said about LaBute’s play, though none of this would work nearly as well as it does at City Garage without precisely the right duo to bring Jules and Jim to life, and in Davis-Lorton and new company member Adam Langsam, ace director Frédérique Michel has hit the jackpot. Imagine if you will a late 1980s/early 1990s pairing of Jennifer Jason Leigh (in Single White Female mode) and Tom Hanks (circa Sleepless In Seattle) and you’ll have some idea of what Davis-Lorton and Lansam (both absolutely terrific) bring to their roles….Just as he did in 2008’s Reasons To Be Pretty, If I Needed Someone dissects male-female relationships as only Neil LaBute can—savagely, but not without humor and maybe even a sliver of hope. LaBute fans won’t want to miss this City Garage Theatre World Premiere coup.” — Steven Stanley, StageScene LA

“These actors [Devin Davis-Lorton, Adam Langsam] accomplish an Olympic-level effort, not only in terms of bringing truth to their every word (no small feat) but in listening to each other (sometimes), allowing themselves to change (eventually)….The two person cast–while proving themselves capable of this acting marathon–have a very good script with which to breathe life into a fictional tale on stage. It feels remarkably complete in its portrait of these two people, living as we do, in a time of change and not really sure precisely how to navigate their own times….The script gives us a powerful series of moments and revelations between people who want to connect, want to understand each other, want someone to not give up…The conclusion, simple in some ways while intensely complex in others, reminds us we can indeed connect. Loneliness is not incurable. We may be doomed to die, but we are not doomed to live totally alone….Kudos to everyone involved, including of course director Frederique Michel!” — David MacDowell Blue, Night-Tinted Glasses

“The evening shared by Jules and Jim – for all of its misunderstandings, misperceptions, and bristles, for all the insecurities and past hurts it opens for both characters – is the kind of first date that people looking for love dream of having. That the scenario springs from the mind of playwright Neil LaBute is both fitting and hugely ironic…It’s hugely also satisfying to witness. Much of that satisfaction comes from the efforts of Michel’s actors whose negotiation of this dance just feels right… Michel’s two performers unpack and unravel these individuals with delicateness. With his boyish good looks and unaggressive manner, Langsam is so convincingly what Jim claims himself to be – a woke, evolved man – that we spend a lot of the play waiting for the other shoe to drop. LaBute has trained us well in this; the men and women of his plays can get really mean. But Langsam is sporting some serious charisma. Jules’s reluctance to let him depart makes sense. Equally excellent, Davis-Lorton moves Jules from what first appears to be a drunken party girl looking to pick fights to something deeper, more complicated and certainly more vulnerable. As Jules settles in, finds her footing with this guy in her apartment, changes her outfit and ultimately commits an act of complete trust, Davis-Lorton reveals a lady who can have things both ways. And as the curtain falls on a lilt from George Harrison, we learn that, yes, she does do sweet. So, ironically, does Neil LaBute.” — Evan Henerson, Broadway World

Recommended!
“If I Needed Someone expertly navigates the tricky terrain of modern-day dating IRL (in real life)….a mostly painful and prickly yet shrewdly observed tango; more a delicate dance than a battle of the sexes. LaBute’s observations are so acute, it is uncomfortable to watch this repartée all unfold. The playwright highlights the perilous pitfalls of modern dating, the difficulties of balancing expectations with the inclusion of consent….Performances here are fantastic. The cast acquit themselves extremely well, conveying a lot of subtle nuances (and not-so-subtle declarations). Director Frédérique Michel does an excellent job with the material, keeping the play’s pace lively, intriguing and electric. There’s a brisk and bracing honesty to LaBute’s writing that advances towards a poised (perhaps open-ended) yet satisfying conclusion.” — Pauline Adamek, ArtsBeatLA

Also, the Argonaut published a very nice piece about the play.

If you haven’t yet seen it get your tickets here! It’s very sharp, very contemporary, and a lot of fun. Seats are going fast!

city-garage.ticketleap.com/if-i-needed-someone/

About the Play

This smart, sexy, funny, timely comedy follows a girl and guy over the course of one night while they try to navigate the minefield of contemporary gender politics. They’ve just met. They like each other. They’re attracted to each other. They’ve ended up back at her place but now the true test begins. How do they avoid saying or doing the wrong thing? How do they say or do the right thing? What does that even mean in today’s world of relationships? Neil LaBute, well known for his biting, provocative plays that show men at their worst and women at their most frustrated, here takes a gentler, sweeter tone and crafts a love story that remains just as edgy, just as full of razor-sharp insights, showing two people who maybe, just maybe, might make it to the other side of the dating wars and find each other out there in the darkness.

A New Play from Neil LaBute! “If I Needed Someone”
August 2 – September 22, 2024
Thursdays, Fridays Saturdays at 8:00pm; Sundays at 4:00pm

Merci,❤️

Frederique, Archie (& Charles)

Voices From Ukraine 3

Bonjour,

With so many terrible problems in the world, we know it’s easy to forget the ongoing struggle in Ukraine and the incredible courage the Ukrainian people have shown in their heroic resistance to Putin’s brutal invasion. Won’t you show your support by coming to City Garage this Thursday? We’ll be doing a staged reading of a new full-length play from Ukrainian poet and author Valeriy Puzik, “Ghosts in Branches.” Valeriy has been fighting on the front lines since the beginning of the conflict in 2014. He provides a true, first-person perspective on Ukraine’s existential struggle for survival—but one laced with poetry, deep spirituality, and an aching longing for peace. It’s our third installment in our ”Voices From Ukraine” series as part of the Worldwide Ukrainian Play Reading Project, a benefit to raise humanitarian relief for Ukraine. One hundred percent of the proceeds go to groups working on the ground in Ukraine. Please come. Any amount of donation is welcome and can be made either in advance sort at the door.

Merci,

Frederique & Charles

Voices from Ukraine 3

The Worldwide Ukrainian Play Readings Project at City Garage

“Ghosts in Branches” by Valeriy Puzik

Translated by John Freedman with Natalia Bratus

A staged reading to support humanitarian aid for Ukraine.

Thursday, June 6, 2024 @ 8:00pm


As Russia’s brutal war enters its third year since the full-scale invasion, City Garage will be presenting a staged reading of a new, full-length play from Ukrainian author and poet Valeriy Puzik “Ghosts in Branches.” This is the third in a series of readings City Garage has presented as part of the Worldwide Ukrainian Play Readings Project in support of humanitarian aid to the people of Ukraine.

Featuring: Nathan Dana Aldrich, Angela Beyer, Carter Calahan, Carey Cannata, Devin Davis-Lorton, Romy Evans, David E. Frank, Liam Galaz Howard, Gifford Irvine, Ryan Nebreja, Ralph Radebaugh, Shane Weikel.

Directed by: Charles A. Duncombe

Click here to attend and/or donate

About the Play:

A small group of Ukrainian soldiers shelters in the remains of a hut on the front lines of the war. Some are young, some are older; they are ordinary men, who have left behind ordinary lives to do something none of them ever imagined: fight a war. In their daily struggle to survive they joke, gripe, fantasize about distant love ones, fend off boredom, hunger, loneliness, deadly shelling and drone attacks, go on night raids, and endure the constant thought of death: not if it will come, but simply when. In this haunting, beautiful piece, Ukrainian poet, writer, and filmmaker Valeriy Puzik takes a gently ironic view of deadly events: grimly comic, deeply humane, injecting lovely surreal fantasies that express a longing for peace, seeking shards of light and sources of hope in the grimmest of situations.

About the Author:

Valeriy Puzik is a Ukrainian artist, writer, and director. He was born in 1987 in Telizhyntsi in the Khmelnytskyi region. His paintings and artwork have been shown in exhibitions and museums in Ukraine as well as internationally. Puzik has actively fought in the war with Russia on the front lines from 2014 to the present. He is the author of numerous books. Bezdomni psi (2018; tr: Homeless Dogs) and Monolit (2018) are collections of short prose for which Puzik has won several awards. With his comrades, he made a short documentary called Ceasefire, whose plot unfolds in the early days of the conflict, when a ceasefire was announced in eastern Ukraine on February 15, 2015. The film received a special jury prize at the 86 festival of the Palma Piwnoci (tr: Palm of the North) national documentary competition.Puzik’s book Ja baciv jogo zhywym, mertvym i znowu zhywym (2020; tr: I Saw Him Alive, Dead and Alive Again) was one of the top 20 Ukrainian prose books of 2020, according to the Ukrainian PEN Club. He is the screenwriter of the miniseries Blindash (tr: Blindage), based on real experiences of Ukrainian soldiers of the anti-terrorist operation in Donbas. Puzik has worked as a journalist for various online media and newspapers. He has won numerous literary competitions, such as Smoloskip, Granoslov, and Novela po-ukrainski, and was awarded, among others, the Olesia Ulyanenko Literary Prize. Puzik wrote his first play, Ghost in Branches, in 2024.

About the Project:
The Worldwide Ukrainian Play Readings Project, organized and supervised by writer/translator John Freedman, has been raising humanitarian aid for the people of Ukraine since the full-scale invasion began. To date, there have been more than 580 performances of 170 texts by 60 writers in 35 countries and 20 languages. Attendees are asked to make a minimum donation of $10 but encouraged to give more. 100% of proceeds will be distributed to charities working on the ground in Ukraine.

We Need You for Our $15,000 Pledge Campaign!

Won’t you help us match the generous pledge one of our anonymous donors recently made? Thanks to the people below, we now have $1,300 toward the $15,000 we need to raise by the end of the summer. Join them and help us get there by your gift, large or small.

Help us get to the $15,000 we need to raise!

Our grateful thanks to these donors:
Gustav Vintas
Martha Duncan
Lindsie Carlsen
Tom Patchett

Donate Today!

The Writers Workshop at City Garage — New Online Sessions Begin July 6th!

The Writers Workshop is now happening online! Sign up now and get 50% off! Are you working on a play, a one-person show, a screenplay, or a piece of fiction and want help pushing it forward? Develop it in the Writers Workshop at City Garage. Get guidance, feedback, story analysis, and support in our weekly sessions. Reserve your spot by July 4th and get 50% off your first month! Click here for more information.

Frederique 👠👠, Charles, and everyone at City Garage

Archie says Thank you!

The Bald Soprano

Bonjour,

It’s the last weekend for “The Bald Soprano!” Don’t miss this delightful evening of mayhem in the home of Madame and Monsieur Smith as they entertain their confused guests, a visiting fire chief, and a rebellious maid. Make your reservations now!

Buy Tickets to “The Bald Soprano”

TOP TEN! RECOMMENDED!

“City Garage has remounted the 1950 one-act with wackiness and wile, deftly recreating Ionesco’s illogical world for an American audience… an uncanniness that feels friendly and welcoming, suggesting a place where we can all be mad together….Beyond illusions of language and paradoxes of time, there is much amusement to be had.
— Amanda Andrei, Stage Raw

“Michel keeps her entire cast on the same absurdist page while giving them plenty of unscripted business to accompany Ionesco’s words….the entire cast is given moments to shine…Since its 1987 debut, Michel and Duncombe’s City Garage has established itself as the most adventurously avant garde of SoCal intimate theaters….The Bald Soprano adds up to an hour or so of zany absurdist fun.”
— Steven Stanley, StageScene LA

“Imagine the story-telling equivalent of Merry-Go-Round after taking a tiny hit of acid, in France and that suggests a little bit of zany humor direct Frederique Michel achieves with this cast. Imagine if you will Monty Python and the Holy Grail crossed with a 1950s sitcom of your choice, minus children. Then stir in very acid humor about the bourgeoisie. That sounds like a mere formula, doesn’t it? And yet the only “formula” here is silliness, the arch type of silliness of which we all may well be guilty.”
— David MacDowell Blue, Night Tinted Glassses

Coming Next Thursday, June 6th at 8:00pm

“Ghosts in Branches” by Valeriy Puzik, translated by John Freedman with Natalia Bratus
A staged reading in support of humanitarian aid for Ukraine – Thursday June 6th at 8:00pm

As Russia’s brutal war enters its third year since the full-scale invasion, City Garage will be presenting a staged reading of a new, full-length play from Ukrainian author and poet Valeriy Puzik “Ghosts in Branches.” This is the third in a series of readings City Garage has presented as part of the Worldwide Ukrainian Play Readings Project in support of humanitarian aid to the people of Ukraine. Please attend and show your support!

About the Play:

A small group of Ukrainian soldiers shelters in the remains of a hut on the front lines of the war. Some are young, some are older; they are ordinary men, who have left behind ordinary lives to do something none of them ever imagined: fight a war. In their daily struggle to survive they joke, gripe, fantasize about distant love ones, fend off boredom, hunger, loneliness, deadly shelling and drone attacks, go on night raids, and endure the constant thought of death: not if it will come, but simply when. In this haunting, beautiful piece, Ukrainian poet, writer, and filmmaker Valeriy Puzik takes a gently ironic view of deadly events: grimly comic, deeply humane, injecting lovely surreal fantasies that express a longing for peace, seeking shards of light and sources of hope in the grimmest of situations.

Suggested minimum donation $10 but all amounts welcome. Click here to attend and/or donate.

Our $15,000 Pledge Campaign already underway!


Won’t you help us match the generous pledge one of our anonymous donors recently made? Thanks to the people below, we now have $1,300 toward the $15,000 we need to raise by the end of the summer. Join them and help us get there by your gift, large or small.

Help us get to the $15,000 we need to raise!

Our grateful thanks to these donors:
Gustav Vintas
Martha Duncan
Lindsie Carlsen
Tom Patchett

Donate Today!


The Writers Workshop at City Garage — New Online Sessions Begin July 6th!

The Writers Workshop is now happening online! Sign up now and get 50% off! Are you working on a play, a one-person show, a screenplay, or a piece of fiction and want help pushing it forward? Develop it in the Writers Workshop at City Garage. Get guidance, feedback, story analysis, and support in our weekly sessions. Reserve your spot by July 4th and get 50% off your first month! Click here for more information.

Frederique 👠👠, Charles, and everyone at City Garage

Archie says Thank you!

Pinter’s Betrayal

Bonjour,

“Betrayal” must close this weekend, so if you haven’t yet seen it, this is your last chance to see the show both that audiences and critics are raving about. Houses have been packed. We’re sure to sell out this weekend so make your reservations today! Don’t miss it!

Buy tickets to Betrayal now!

TOP TEN! RECOMMENDED!
“an outstanding cast whose work rings true … [r]eflective of Michel and Duncombe’s uncompromising theatrical standards, City Garage’s production is a welcome opportunity to experience a masterly play that, despite its inverted structure, is arguably Pinter at his most accessible.”
— F. Kathleen Foley, Stage Raw

WOW!
“…you’ll see why Pinter is a playwright whose writing is best appreciated performed as is being done now on the City Garage stage. … Director Frédérique Michel elicits sharp performances from three longtime company members. Dunn gives Jerry a Jeremy Irons-like edge and finesse, one that contrasts nicely with Frank’s pony-tailed, considerably more laid-back Robert, and the always captivating Beyer once again proves herself City Garage’s go-to leading lady in a performance that combines British reserve with continental sensuality.”
— Steven Stanley, Stage Scene LA

“… sometimes scorching, sometimes hilarious, always intriguing exploration of human relations…what really grabs our attention and hearts are the performances.”
— Zahir Blue, Night Tinted Glasses

“To succeed in performing specific playwrights, talent is not enough, a mastery of style is not merely required, it is essential….Fortunately, the cast at City Garage is up for the challenge. David E. Frank manages to smolder a muted rage in the face of a false friend and deceiving love. Angela Beyer brings an interesting new hue in her portrait of the unfaithful Emma; the subtler shadowing of desperation that inevitably dooms her desires to disappointment. Every production has its lynch pin and here it is Troy Dunn. His solid and sure noted presentation as Jerry, is a performance one wishes could be preserved in amber. And kudos, too, for Gifford Irvine, for fulfilling the smallest and generally most thankless role in the whole body of Pinter’s works, that of the waiter in the Italian restaurant where Robert and Jerry lunch….Directed by Frédérique Michel with her usual aplomb and with a firm foundation provided by Producer Charles A. Duncombe, City Garage, offers the opportunity to see a masterful staging of Betrayal, one that would win the acknowledgement of even the notorious scornful playwright as perfectly Pinteresque.” — Earnest Kearney, The TVolution

Betrayal by Harold Pinter, February 9th through March 17th
Fridays, Saturdays 8:00pm; Sundays at 4:00

One of Nobel prize-winner Harold Pinter’s most critically acclaimed works, Betrayal tells the story of a long-running affair and the punishing effect of the lies and complex jealousies of the three people involved: Emma, Jerry, and Emma’s husband, Robert. Emma and Jerry, attracted to each other since the night of her wedding to Robert, begin an affair. It goes on for seven years. Emma reveals that she confessed the truth to Robert. Jerry, confused, goes to Robert to explain himself. To his surprise, Robert tells him that he has known about the affair for years, a fascinating game of sexual manipulation between the three of them. Told in reverse chronology, Pinter underlines both the emotional complexity and the painful price of desire, of truth and lies, and what we conceal from each other and from ourselves.

“There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.” — Harold Pinter

The Writers Workshop at City Garage
Are you working on a play, a one-person show, a screenplay, or a piece of fiction and want help pushing it forward? Develop it in the Writers Workshop at City Garage. Get guidance, feedback, story analysis, and support in our weekly sessions. The number of places is limited. Click here for more information.

A letter from the President-Elect of Belarus

We recently received a letter of thanks from Sviatlana Tsikhanouskaya, the courageous woman who is leading the fight for democracy in Belarus and whom most international authorities recognize as the legitimate President of the country. It made us very proud to play a small role in their struggle. You can read it here.

Matching Campaign

Many thanks to all of you who gave so generously to help us toward our year-end fundraising goal. But we’re not there yet—and it’s not too late to give.

We need to reach $30,000 in order to match grants from the state of California and the City of Santa Monica. Thanks to the people below, we’ve raised $26,280. Can you help us make it the rest of the way? Any amount is welcome!

Ruth Flinkman and Ben Marandy
Curt and Michele Wittig
Roger Marheine
Anonymous
Lindsie Carlsen
Geraldine Fuentes
David Burton
Berta Finkelstein and Bill Claiborne
Emyr Gravell
Laurie Steelink
Ravi Narashiman
Nina Kamberos
Steve Diskin
David Tillman
Gustav Vintas
Strawn Bovee
Anna Pond
Myron Meisel
Jay Bevan
Jaime Arze
Stephen Clemmer
Mr. & Mrs. Greenberg
Mr. and Mrs. Larsen
Amanda Stokes
Irene Palma
Jennifer Dion
Lucia Cytynowicz
Joel Altshuler
Ann Bronston
Ernest Tam
Elizabeth Oakes & Samuel Goldstein
Barbara Kellir
Sharon Gardner
Roger Director
Susan Dickinson & David E. Frank
Cristina Markarian & Paul Rubenstein
Lisa & Bill Gray
Holly Dunnigan
Stephen Greenberg
Eva Peel
Mr. Lawrence Goldstein, Mrs. Rosa Goldstein
Lisa & Bill Gray
Esther Lumer
Anonymous
Randi & Jerome Greenberg
Eliane Gans
Mr. and Mrs. James Conn
Grzegorz Majewski
Marlene Larson
Tom Laskey

If you like what we do and want us to continue, please do it! Follow this link and donate now!

Support Us

It’s not too much to say that we can’t go on without you. And wouldn’t want to.

Merci! ❤️

Frederique 👠👠, Charles, and everyone at City Garage

Archie says Thank you!