Research Archive
This is a collection of programs and program notes, including information coming from the research that went into City Garage productions. They are published here as a service to the theatre, artistic, and academic communities.
While this work is copyrighted material, it may be freely copied for non-commercial use or for theatrical presentations. If you do use the material, please let us know!
Also, if you find this work to be of value, consider making a contribution to City Garage!
Program for “Agamemnon” by Charles L. Mee
Program for “Atrocities: Meetings with Monstrous Men” by Charles A. Duncombe
Program for “The Bad Penny” by Mac Wellman
Program for “Cabale” by Enzo Cormann
Program for “Cinema Stories: Ceremonies of Unendurable Bondage” by Charles A. Duncombe
Program for “Don Quixote: Which Was a Dream” by Kathy Acker
Programs for “The Fetishist” by Michel Tournier and “Night Just Before the Forest” by Bernard-Marie Koltès
Program for “Filthy Talk for Troubled Times” by Neil LaBute
Program for “The Girl in the Flammable Skirt” by Aimee Bender
Program for “Frederick of Prussia/George W’s Dream of Sleep” by Charles A. Duncombe
Program for “Georges Sand: : An Erotic Odyssey in Seven Tableaux” by Ginka Steinwachs
Program for “Iphiginia” by Charles L. Mee
Program for “Journeys Among the Dead” by Eugène Ionesco
Program for “Katzelmacher (Cat Screwer)” by Rainer Werner Fassbinder
Program for “La Leçon” by Eugène Ionesco
Program for “Le Rhinocéros” by Eugène Ionesco
Program for “Marriage Blanc” by Tadeusz Rozewizc
Program for “The Marriage of Figaro” by Pierre Beaumarchais
Program for “MedeaText:Los Angeles/Despoiled Shore” by Charles L. Mee adapted by Charles A. Duncombe
Program for “Noises” by Enzo Cormann
Program for “OedipusText: Los Angeles” by Charles A. Duncombe
Program for “Paradise Park” by Charles L. Mee
Program for “Patriot Act: A Reality Show” by Charles A. Duncombe
Program for “Quartet” by Heiner Müller
Programs for “Sgnarelle” by Molière and “4:48 Psychosis” by Sarah Kane
Program for “The Skriker” by Caryl Churchill
Program for “The Bacchae” by Charles L. Mee
Program for “The Bald Soprano” by Eugene Ionesco
Program for “The Battle: ABC” by Heiner Müller
Program for “The Bourgeois Gentilhomme” by Molière
Program for “The Chairs” by Eugène Ionesco
Program for “The Empire Builders” by Boris Vian
Program for “The Gertrude Stein Project”
Program for “The Mission (Accomplished)” by Charles A. Duncombe
Program for “The Presidents” by Werner Schwab
Program for “The Queens” by Normand Chaurette
Program for “The School for Wives” by Molière
Program for “The Shepard Project – Early Works by Sam Shepard”
Program for “The Sweet Madness (La folie douce)” by Simone de Beauvoir
Program for “The Trojan Women” by Charles A. Duncombe
Program for “Titus Tartar” by Albert Ostermaier
Program for “Top Dogs” by Urs Widmer
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